Guest post (linguistics, George Orwell)


I was reminded of George Orwell’s rules for writing this weekend while reading an article about the German architectural historian, Nikolaus Pevsner (1902–1983). In her article, “New guides to Bath: Society and scene in Northanger Abbey”, Judy Stove-Wilson wrote that Pevsner noted the strong tendency of English towards monosyllables. He regarded this as symptomatic of ‘understatement, the […]

via George Orwell’s Politics and the English language — Whispering Gums

How To Write The Engine Of Your TV Series


Screenwriting support.

Gideon's Screenwriting Tips: Now You're a Screenwriter

There is a term bandied around TV writers rooms called the ENGINE. What exactly is the engine of a TV show?

As its name suggests, the simplest way to describe your story engine, is to define what drives every episode in the series. The engine is the nerve center of your TV series. It defines the starting point of your TV series as well as the trajectory of each season.

What are the key elements of an engine? Most importantly, the engine defines what your story isn’t and what it isn’t. Your engine keeps your story on track.

PREMISE

The premise is really the concept of your TV show. For example, 2 Broke Girls is a workplace sitcom about two financially-challenged waitresses in a Brooklyn diner.

The Bing Bang Theory is an urban tribe sitcom about nerdy scientists.

Girl Boss is a semi-biopic about Sophia Amoruso, the founder of the online Nasty…

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